May 16, 2013
how late it is

Michael Curtis Houck

how late it is
for you to say these 
things—
can’t you see 
that I am trying to get
sleep—

to dream of answer that please you
and share your pillow with hopes that
when I wake you will smile back at me
well rested


Breakfast & coffee;
Water the plants;
Sweep the floor



April 5, 2013

jesusmahoney:

A Leave of Presence
By Roger Ebert on April 2, 2013 9:37 PM

Thank you. Forty-six years ago on April 3, 1967, I became the film critic for the Chicago Sun-Times. Some of you have read my reviews and columns and even written to me since that time. Others were introduced to my film criticism through the television show, my books, the website, the film festival, or the Ebert Club and newsletter.  However you came to know me, I’m glad you did and thank you for being the best readers any film critic could ask for.

Typically, I write over 200 reviews a year for the Sun-Times that are carried by Universal Press Syndicate in some 200 newspapers. Last year, I wrote the most of my career, including 306 movie reviews, a blog post or two a week, and assorted other articles. I must slow down now, which is why I’m taking what I like to call “a leave of presence.”

What in the world is a leave of presence? It means I am not going away. My intent is to continue to write selected reviews but to leave the rest to a talented team of writers handpicked and greatly admired by me. What’s more, I’ll be able at last to do what I’ve always fantasized about doing: reviewing only the movies I want to review.

At the same time, I am re-launching the new and improved Rogerebert.com and taking ownership of the site under a separate entity, Ebert Digital, run by me, my beloved wife, Chaz, and our brilliant friend, Josh Golden of Table XI. Stepping away from the day-to-day grind will enable me to continue as a film critic for the Chicago Sun-Times, and roll out other projects under the Ebert brand in the coming year.

Ebertfest, my annual film festival, celebrating its 15th year, will continue at the University of Illinois in Urbana-Champaign, my alma mater and home town, April 17-21. In response to your repeated requests to bring back the TV show “At the Movies,” I am launching a fundraising campaign via Kickstarter in the next couple of weeks. And gamers beware, I am even thinking about a movie version of a video game or mobile app. Once completed, you can engage me in debate on whether you think it is art.

And I continue to cooperate with the talented filmmaker Steve James on the bio-documentary he, Steve Zaillian and Martin Scorsese are making about my life. I am humbled that anyone would even think to do it, but I am also grateful.

Of course, there will be some changes. The immediate reason for my “leave of presence” is my health. The “painful fracture” that made it difficult for me to walk has recently been revealed to be a cancer. It is being treated with radiation, which has made it impossible for me to attend as many movies as I used to. I have been watching more of them on screener copies that the studios have been kind enough to send to me. My friend and colleague Richard Roeper and other critics have stepped up and kept the newspaper and website current with reviews of all the major releases. So we have and will continue to go on.

At this point in my life, in addition to writing about movies, I may write about what it’s like to cope with health challenges and the limitations they can force upon you. It really stinks that the cancer has returned and that I have spent too many days in the hospital. So on bad days I may write about the vulnerability that accompanies illness. On good days, I may wax ecstatic about a movie so good it transports me beyond illness.

I’ll also be able to review classics for my “Great Movies” collection, which has produced three books and could justify a fourth.

For now, I am throwing myself into Ebert Digital and the redesigned, highly interactive and searchable Rogerebert.com. You’ll learn more about its exciting new features on April 9 when the site is launched. In addition to housing an archive of more than 10,000 of my reviews dating back to 1967 we will also feature reviews written by other critics. You may disagree with them like you have with me, but will nonetheless appreciate what they bring to the party. Some I recruited from the ranks of my Far Flung Correspondents, an inspiration I had four years ago when I noticed how many of the comments on my blog came from foreign lands and how knowledgeable they were about cinema.

We’ll be recruiting more critics and it is my hope that some of the writers I have admired over the years will be among them. We’ll offer many more reviews of Indie, foreign, documentary and restored classic revivals. As the space between broadcast television, cable and the internet morph into a hybrid of content, we will continue to spotlight the musings of Pulitzer Prize-winning TV critic Tom Shales, as well as the blog “Scanners” by Jim Emerson, who I first met at Microsoft when he edited Cinemania. The Ebert Club newsletter, under editor Marie Haws of Vancouver, will be expanded to give its thousands of subscribers even bigger and better benefits.

For years I devoutly took every one of my tear sheets, folded them and added them to a pile on my desk. The photo above shows the height of that pile in 1985 as it appeared on the cover of my first book about the movies published by my old friends John McMeel and Donna Martin of Andrews & McMeel. Today, because of technology, the opportunities to become bigger, better and reach more people are piling up too. The fact that we’re re-launching the site now, in the midst of other challenges, should give you an idea how important Rogerebert.com and Ebert Digital are to Chaz and me. I hope you’ll stop by, and look for me. I’ll be there.

So on this day of reflection I say again, thank you for going on this journey with me. I’ll see you at the movies.

September 17, 2012
Nondescript

Michael Curtis Houck

I saw a baby shoe in the turning lane
while driving home from work, It 
was dirty, and somewhat pink;
I thought that would make a 
good first line, but I found that I
couldn’t craft a story out of it. It doesn’t 
have enough history to tell me anything.  

(Source: storiesandsuchthings)

September 4, 2012
Last Seen on 1998.

Michael Curtis Houck

You had a broken
fence in your back-
yard. We slid under
through the dirt from 
time to time and walked
the path to a creek. Once, 
we fished, but more often
than not we shouted
obscenities at the golf 
course adjacent. We 
were friends, and your
Mother was my teacher.  

(Source: storiesandsuchthings)

August 28, 2012
The Study of Georgia and Warren, the People

Zach Evington


We landed prior to Georgia and Warren’s emergence.

“Crash landed,” my partner corrected me.  [I sometimes forget my partner reviews my monologues instantaneously.] 

We climbed from the wreckage and dangled our legs from what we decided was an Early Capitalist “Mega Millions” billboard, with its gargantuan digital clock readout—“10:13 PM”.  These clocks were once used to “tell time”.  

“Not our ‘Time’,” my partner added.  “Early Capitalists’.”

This wasn’t entirely true because they weren’t all Capitalists.  Clocks were commonplace and “Time” wasn’t understood to be simultaneous.  

Below us were prudently planted bushes littered with bits of plastic.

“Plastic bushes?” my partner asked.

“No,” and I recall pausing to be sure of myself.  “From the dumpsters, I imagine.”

There were indeed dumpsters next to these bushes.  

“Dumpsters?  Eck.” my partner said.  If we weren’t cloaked, I’d have given my partner a look of derision.

“I know,” said my partner.

“We’re observing, not judging,” I said.

We zoomed to view the trash bags on the concrete, piled just beside the dumpsters in a sort of queue.  We zoomed further to observe the confused bumblebees, still awake, squirming, drunk on high fructose corn syrup oozing from the bags.  Either the bags had burst from abuse or the bumblebees had burrowed their way inside.  Our eye-lines followed a path of drizzled soda pop (confirming the former) to a pair of double doors with no handles.  These doors led to the back of what we confirmed was an Early Capitalist movie theater. 

“And then bam!” said my partner.  Just as we received confirmation on the building, Georgia and Warren (identified by name tags) emerged from the doors, leaking trash bags in their wake.  

“We examined Georgia first,” said my partner.

What was once called “female” and “girl”; “woman”; “She” and “her”.  Georgia’s hair was red, a mutation that was just shy of disappearing from the gene pool.  Her eyes were green with a dollop of orange or yellow, spiking out from over-dilated pupils.  Night blindness.

“Adorable,” said my partner.

“Unfortunate,” was my rebuttal.

When Georgia had stepped into the light of the billboard, we noted the natural freckles sprinkled across her glabella and down the bridge of her nose.  She smiled at Warren, and her freckles swam against the current of her eyebrow.

“Warren was black,” said my partner.  

An astute observation.  What was once called “male” and “boy”; “man”; “he” and “his”.  Warren’s hair was the same length as Georgia’s, but with a consistency that reminded my partner of toothpaste.

“Only slightly,” said my partner.

“They are dreadlocks,” I said. 

Despite their difference in sex and gender and color, they wore the same red shirt and black slacks and shoes—a peculiar Early Capitalist attempt at equality.

“Not our ‘Equality’,” my partner added.

They proceeded to the dumpsters and the minefield of bumblebee-d trash bags.  Warren’s eyes widened as Georgia’s squinted.  

“A look of disgust,” my partner added.

Warren knelt in front of the bags, and we zoomed to view something white snaking out of the bags and bees.  After some studying, we concluded that they were wet paper towels.  And they were everywhere.

“Can’t we just leave it?” Georgia spoke, turning away, her back to the scene.

“Raspy voice,” said my partner.  “Delightful.”

“Straining,” I said.

“We’re supposed to pick it all up,” Warren said.

Georgia ran a green-painted fingernail through her bangs.  “I don’t think—”

“In the name of God!” Warren shouted, raspier than Georgia’s speaking voice.  Georgia whirled around to observe Warren with his hands clenching snakes of paper towels on the ground, trying to pry them from the concrete.  

“We could’ve gotten gloves,” Georgia said.

“Ah, it’s awful!” Warren rasped further, dangling the flaccid mess in both hands.  He walked to the dumpsters with his back straight and lobbed them into the air like two very sticky basketballs.

“Superb aim,” said my partner.  

Warren proceeded to clear the concrete of white sticky snakes, shouting, 

“God in heaven!”  

“Lord almighty!”

“Sweet Jesus!”

“Religion?” said my partner.

When the deed was done, Warren said, “There.”

“Thanks?” said Georgia.  “But you didn’t have to.  I could’ve—“

“Nope,” said Warren.  “I’m a gentlemen, you know.”

Georgia blushed.  It was gradual, like a bruise forming.  “Thanks,” she said again.

“Time to go,” said Warren.

“So ready,” said Georgia.

“What’re you doing after?” said Warren, rubbing his sticky hands together in a prayer gesture.

“Oh,” said Georgia.  “Uh, sleeping?”

“Oh, right,” said Warren.  “Early shift.”

“Uh huh.  Well let’s clock out,” said Georgia.

Warren added the remaining trash bags to the pile, smothering the bees, but not before noting that, “These bees are green.”

“Agapostemon,” my partner added.  They were a special type of bee.

Georgia returned to the theater doors first.  Warren sighed, just as raspy as his scream, and then followed.  Before the doors had closed, my partner and I finished our study.  Our cloaking device conceded a beep as the rendering process concluded.  

“Ready?” I asked my partner.

“Ready.”

My partner and I materialized.  I looked beside me.  

“Dreadlocks,” I said.  

My partner was now Warren.  Which meant that I was Georgia.  I held my hand out between us, noting the single green-painted nail she’d used to nervously scratch at her hair.  My partner who was now Warren reached over and put his darker hand in mine.  I tightened my grip on his hand and, for the first time, felt the sensation called vertigo.  

My partner who was now Warren smiled and said, “So this is what it feels like.”  I noted that my partner probably wasn’t talking about vertigo. 

“I wasn’t,” said my partner.

The recovery team arrived soon after.  We cloaked ourselves and went home.

(Source: storiesandsuchthings)

August 24, 2012
harmonica windows, etc.

Elaine Hsiang

i woke up with peeled ears ready to be spoken to. they put me back together a couple days ago with someone else’s dreams, but i’m still not ready to go home. my hands are scared and nervous and anxious and excited and i never understood the difference.

this new town had a man who sold beads and popcorn. he said, eat a peach when you can and remember kisses sometimes get a little sloppy like that. you do what you have to do, and this is do, what i do, this is feel, how i feel. i feel and do be, be, be the music that my fingers rub on smoky days, unapologetic when they find out where it’s coming from.

i am happy, safe, in a coffeeshop, and pouring rain. this is the glass that separates us, and i will nod myself through handles of burning throats. i will tell you it goes down smooth, because the feelings haven’t come yet. it is the hardest comfort to know that i will forget.

(Source: storiesandsuchthings)

August 21, 2012
A Tune of Unclear Jazz

Michael Curtis Houck


We danced around for hours
to a tune of unclear jazz.  
Me painting the new doorway;
you teaching Iffy to walk. 

I miss the rhythm section.
All the radio picks up
these days is static; white noise. 
 

(Source: storiesandsuchthings)

August 19, 2012
Quiet Hands

Mandee Price


Night leaking into my eyes
Enveloped in another midnight
One spent among your quiet hands
Passing across my face
Through my hair
Down my side
Knowing each line by heart
Recognizing every inch
It’s been far too long
Since those quiet hands
Took the words right out of my mouth

(Source: storiesandsuchthings)

August 15, 2012
That grrl.

Michael Curtis Houck


    “There’s cracks in the pavement,” she said. She looked down when she walked. 
     ”Look at me,” he said, but she didn’t hear. He demanded it once more. 
     She looked up; they continued walking; she looked at him. “This city is shit, they never fix anything when there is something to be fixed.” 
     ”Don’t worry about the cracks, the street is fine. The car’s are still able to drive and we’re walking with out a problem. A crack a just a crack.”
     ”A crack can bring down the whole system.”
     ”You think our neighborhood is a system?”
     ”I’m a system.”
     ”I don’t understand you anymore.”
     ”I wouldn’t expect you to,” and she looked back down; and they continued to walk the road.
     ”We’ve come this far and now it makes no sense.”
     ”I’m a flawed masterpiece, James. That’s me.”
     ”You’re too picky, that’s you.” 

(Source: storiesandsuchthings)

August 15, 2012
Girl

Linda Johnson


She’ll drink your beer, and eat your food,
she’ll watch your fireworks,
but she isn’t your girl.

(Source: storiesandsuchthings)

August 13, 2012
Sick in the Greek Isles

Zach Evington


My underprivileged head stalks the rocks
Like grey heron
The Neuroscientist’s daughter has allergies
I keep up with them

Oh, to be the stones
To be the road
Throwing up on cobblestone
So old it won’t speak and fight

(Source: storiesandsuchthings)

August 1, 2012
Seriously, SUBMIT!

The Elephant’s Den is a flash-fiction blog. A collection short fiction, short-short fiction, poetry, and other unique forms of prose and written expression by writers, friends of writers, and anyone else who would like to contribute. Submit via our e-mail (Info.TheElephantsDen@Gmail.Com) or on our Submit Page
We’re currently on hiatus right now preparing for the fall and “The Elephant’s Den Vol: 2,” and that includes queuing up a bunch of great stuff: make sure you’re included!  

July 25, 2012
Keep on Writing!

On hiatus for a bit.


In the mean time, submit

July 22, 2012
Sunrays and Saturdays is Making Me Cry

Mandee Price


 I always thought, when I left home.. we would fold and organize, and reminisce and laugh, and tell stories while we filled the cardboard boxes to the brim, and cry together when we finally got them all to fit in the back of my car.  We would eat chocolate chip cookies, but mine wouldn’t have the chocolate chips, because you always made them special for me.  I would say goodbye to my beautiful horses, my loyal friends, each one for a long, long time, kissing their majestic foreheads and wiping my tears from their manes after the tightest hugs I could give.  I would play with my adorable little dog until his little legs were tired and he quietly draped his muzzle across my leg while you and I sat on the floor looking at old photographs, putting off goodbye.  You would tell me useful things about the so called real world, even though I’d argue in my head that the mess of a world we’ve always seemed to get stuck in was more real than not.  You would leave me alone to say goodbye to my little haven of a room, the place that sheltered my deepest secrets, the smoldering embers of my soul, and Sarah would call.  She and I would cry together over the long distance line about how 18 years seemed like a day in itself, wondering how it passed with such stealth and subtlety.  In the end, you and I would smile and cry, and our last embrace would hold all the warmth and strength and loyalty and compassion and hope and adoration and love we had ever known.  I would get in my car, and wave until I rounded the bend in the road, crossing from gravel to pavement, and I would allow the tears to flow unhindered as Vertical Horizon dared to blow my cheap speakers, wishing me sunrays and saturdays, perfect starry nights…  It was a beautiful idea, really. Almost poetic.

Yet here I am, in someone else’s bed, in someone else’s house, in someone else’s schedule, crying about lyrics a decade or so old and an embrace I feel in my mind so painfully real… I always thought, when I left home, I would be strong enough to leave with a smile, in the daylight, for good reason, heading somewhere worth going.

But then, I always thought I could fly, too. 

(Source: storiesandsuchthings)

July 18, 2012
Drainage

Michael Curtis Houck


The bath tub is lined 
with some sort of scum
when you leave the
shower
If I were to wipe away at
the porcelain with my
little finger, would it taste
sour
Or is it salt and sweet
that trickle down your
back, and harden to the walls
each day
I think of this as I watch
the water sit unable to
drain from some clog
left behind by the previous
owners

(Source: storiesandsuchthings)

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